![]() ![]() In “Cruel Optimism,” Berlant moved from theorizing about genres of fiction to theorizing about “genres for life.” We like to imagine that our life follows some kind of trajectory, like the plot of a novel, and that by recognizing its arc we might, in turn, become its author. She had established herself as a skilled interpreter of film and literature, starting out with a series of influential, interlinked books that she called her “national sentimentality trilogy.” A sense of national identity, these books argued, wasn’t so much a set of conscious decisions that we make as it was a set of compulsions-attachments and identifications-that we feel. Berlant had taught in the English Department at the University of Chicago since 1984. In October, 2011, the literary scholar and cultural theorist Lauren Berlant published “ Cruel Optimism,” a meditation on our attachment to dreams that we know are destined to be dashed. ![]() Overcome by grief and realizing the truth of what's happened, the painter then lights them all on fire and burns alongside them.This content can also be viewed on the site it originates from. The endings seem to be connected, as you'll walk into another room and see a pile of paintings of the wife (similar to the first ending, but without them all having gone skeletal). This time the final painting features both the wife (wearing something different than in the first ending) and her child. To get this ending, always move towards your wife and trigger every scene involving her, pick up all her mementos, and push the wheelchair found at the end of the game. This is the non-selfish ending where you break through the madness but remain fixated on the past. Self-Portrait Ending Layers Of Fear Mother And Child Ending This ending seems to indicate the painter worked through his anguish, overcome his madness, and reclaimed his ability to paint non-terrifying things. To cement the chances of getting this ending, jump down the hole, follow the rats near the end and don't push the wheelchair in the weird hallway.Īfter revealing the final form of his magnum opus (a self-portrait, rather than anything focused on his wife or child), the painting is put in some sort of gallery or museum. Don't walk towards your wife whenever you are able and trigger as few of the death sequences as possible. To get this “selfish” ending, you have to avoid your wife and instead, go your own way. The Wife Portrait Ending Layers Of Fear Self-Portrait Ending This ending seems like its going well but quickly turns dark when the portrait shifts from a healthy young woman to a dead, skeletal thing with the painter ranting about how he “almost had it this time.” He then throws it into the other room, revealing a huge pile of the same portrait, clearly having been painted over and over as the main character tries to work through his madness.ĭon't turn the game off yet after you get this ending! Shortly after the cutscene, you will have the opportunity to walk forward and grab a book on a table, allowing you to unlock the “Sketchbook of the Damned” achievement. Pick up as few items as possible (only those required to move the story forward), and only trigger a single wife death scene during the course of the game. This “cycle repeats” neutral ending doesn't have a strong resolution one way or another, so correspondingly don't go too crazy in any direction to get this ending.
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